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TheatreWorks. Peter and The Starcatcher.” Through Jan. 3. Prequel to “Peter Pan.” By Rick Elice, with music by Wayne Barker, based on novel by Dave Barry and Ridley Pearson. Directed by Robert Kelley. Lucie Stern Theatre, 1305 Middlefield Road, Palo Alto. $19-$74 (discounts available.) or 650-463-1960. TheatreWorks. “2 Pianos, 4 Hands.” Jan. 14 through Feb. 8. “A comic coming-of-age journey featuring music from Bach and Beethoven to Joplin and Jerry Lee Lewis, two endearing piano students reach the edge of genius only to fall an octave short of stardom.” Directed by Tom Frey. Mountain View Center for the Performing Arts, 500 Castro St., Mountain View. $19-$74 (subject to change; discounts available). or 650-463-1960.

While many groups often take a well-deserved rest during the time between Christmas and the Shellie Awards (Jan, 17!), a few stalwarts have entertaining offerings to share, Bill Chessman serves up two science fiction radio dramas that will take you back to a simpler time when high-tech involved shaking a metal sheet to replicate thunder, On Dec, 26 and 27 at 8 p.m, and Dec, 28 at 2:30 ballet flats vegan p.m., be prepared to boo, hiss or laugh out loud as Chessman presents “I Want Your Brain” and “The Biggest, Most Horriblest Monster Ever.”..

Singing duo, “A Great Big World,” performed the hit, “Say Something,” with backup from a string quartet and a children’s choir. Then it was time for the doom and gloom. Last week, Nigel took the time to give a critique to each dancer, but this week, there were no niceties. Stanley and Jourdan were called forward and told they were not going any further in the competition. I guess it’s kinder to rip that bandage off quickly. Jourdan was weepy but glad for the experience, and Stanley made sure to thank everyone involved with the show.

Growing up in Southern California, Rubio watched Gillette’s “Friday Night Fights” on TV with his father, a Mexican immigrant welder, Odd as it may seem now, he signed up for boxing at Berkeley, but the class was full, and then the coach retired, Rubio put his pugilistic urges ballet flats vegan aside, took up distance running, and pursued his religious calling, Ordained in 1980 in his native San Francisco, he joined the newly formed Diocese of San Jose as a parish priest at St, Mary’s Church in Gilroy, where he finds himself again..

Steeped in the works of Russian absurdist author Daniil Kharms, this 90-minute avant-garde fantasia springs forth from the singular mind of director Robert Wilson. Adapted by Darryl Pinckney and starring ballet star Mikhail Baryshnikov and actor Willem Dafoe, it is a dizzying collage of poetry and movement that caroms from the arresting to the maddening with relentless intensity. A triumph of the weird, this latest experimental piece from the legendary director of “Einstein on the Beach ” and “The Black Rider” makes its regional premiere through Nov. 23 at UC Berkeley, presented by Cal Performances. Wearing whiteface and eerie cowlick hairdos, the two stars embrace Wilson’s rigorous formalism with wit and grace. The demented duo nimbly skips from the vaudevillian to the tragic and back, with bits of cartoonish shtick tossed into the mix when you least expect it.


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