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The patter between Diamond and Bower is polished and professional-sounding. But both say the announcers’ booth Dietrich configured–with several monitors, computers, microphones and all manner of sports-specific software applications–took time to master. Bowers’ first use of an ear-prompter, which allows a technical director to give verbal instructions while an announcer is speaking, threw him for a loop. “I was pretty cocky and said, ‘Throw it at me.’ And the first time Tom started talking in my ear, it was like I’d had bricks thrown at me; it’s way harder than I could have imagined. I thought, ‘How does Al Michaels do this?’ “.

The Dragon Theatre, “The Birthday Party.” By Harold Pinter, Through June 15, Produced and directed by Jenny Hollingworth, Featuring Monica Ammerman as Lulu, Tom Bleecker as Petey, Avi Jacobson as Goldberg,(Brian Levi as McCann,(Celia Maurice as Meg, Paul Stout as Stanley, The Dragon Theatre, 2120 Broadway Street, Redwood City, California, $15, $100 for VIP box (seats four), 650-493-2006 or, Foothill College Theatre Arts Department, “The Assembly-Women.” By Aristophanes, Through June 8, Directed by Tom Gough, Featuring Suzie Poulson, Nicolae Muntean and Kevin Scofield, Ensemble includes Diana Dinéts, Steven Ho, Kazmeira Tarshis, Charnneé Young, Dominic Dee, David Kirk, Lauren Ackerly,Putrina Rafie, Holly Smolik, Victoria Weber, Georgie Anaya, Kimberly Johnson, Megan McNulty, Nikita Sethi, Marley Westley, Preeti Mann, Brittany Pisoni, Jessica Munoz-Dorr, Angel Ordaz, Sarah Weiler and Caitlyn Slavich, Lohman ballet slippers nyc Theater, Foothill College, Los Altos Hills, $10-$18, 650-949-7360 or

The event was dedicated to Charlotte Willig, a longtime member and a past president of the garden club in 1994, who died in January. She held several offices in the club and opened her Hillsborough home for many of its events. Sharing her love of and talent in floral design with the club members, Willig had a knack of designing beautiful arrangement using only a few flowers. As a result, the garden club honored her memory with a ribbon to be presented to a member who designed an arrangement with the least amount of materials and flowers used.

“The Get Down” shows a similar mastery for sampling and tagging, borrowing from every possible source — the imaginary conflict ballets of “West Side Story” to the situational junkyard ethics of “Fat Albert and the Cosby Kids.”, To that you can add the Eastern mysticism of martial arts movies, the full glory of Travolta-era disco, and the “Ford to City: Drop Dead” days of New York’s urban malaise, It’s the very grit that gave life to so much late 20th-century ballet slippers nyc culture; the same grit “Vinyl” tried to harness as a narrative backdrop..

In addition to rock, funk and dance records, Friedman was a huge fan of Swedish electric harpist Andreas Vollenweider. “I’ve always loved a wide range of music.”. He moved north to attend UC-Santa Cruz, earning a masters in music composition. “I wrote tons of music for wild and crazy ensembles. I wrote a concert for guitar that went through a looper. I wrote a piece for juggler and Disklavier (a modern version of a player piano). “To tell you the truth, I never really had a strong end game,” he says, laughing. “I’ve been having fun with music. And that’s what’s gotten me to where I am now.”.


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