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Tempest and Brother. 4 p.m. Jan. 26, Club Fox, 2209 Broadway, Redwood City. $16. 877-435-9849 or www.clubfoxrwc.com. George Kahumoku Jr and Ledward Kaapana. 7:30 p.m. Jan. 28. Club Fox, 2209 Broadway, Redwood City. $30. 877-435-9849 or www.clubfoxrwc.com. Will Russ Jr (Club Fox Blues Jam). 7 p.m. Jan. 29. Club Fox, 2209 Broadway, Redwood City. $5. 877-435-9849 or www.clubfoxrwc.com. Blues Rock Virtuoso Chris Duarte. 8 p.m.Jan. 30. Club Fox, 2209 Broadway, Redwood City. $17. 877-435-9849 or www.clubfoxrwc.com.

Mendall pointed to a Hayward police survey that showed 80 percent of the department’s alcohol-related calls for service downtown came from just two bars, and that neither served food, City Manager Kelly McAdoo said the 990 Lounge was not in keeping with the type of businesses that the council has indicated it wants for the neighborhood, “It is inconsistent with the approach that the council has taken in the downtown in the past few years in respect to alcohol-serving establishments,” McAdoo said, “The council has really been consistent in requiring that blue leather flats, tabi socks ,ballet flats,leather travel flats (navy blue) a majority of gross receipts come from food service and not alcohol.”..

Cast: Tom Hanks, John Mayer, David McCullough, Herbert Permillion, Sam Shepard, Mason Williams (Unrated), 1:44. Documentary filmmaker Doug Nichol’s debut feature celebrates the surprising staying power of a technology that has become almost obsolete. Although many of its subjects are endearing, the film’s scattered approach undermines its point about the longevity of an artifact. Taking its name from a Berkeley repair shop, “California Typewriter” opens with the reminiscence of musician Mason Williams, who, with his friend, painter Ed Ruscha, once threw a Royal typewriter out the window of a moving car, documenting the predictable results, with photographer Robert Blackwell, in the 1967 art book “Royal Road Test.” Nichol never provides any context for Williams, best known for the 1968 instrumental hit “Classical Gas,” or for Ruscha, a pivotal figure in pop art.

“The Get Down” revels in what some might call delinquency, vandalism, hooliganism and noise, (Gee, Officer Krupke — haven’t you learned anything in 60 years?), I applaud “The Get Down” for its ability to flip such caricatures and let life be complicated for these black and Latino kids from moment to moment — which is blue leather flats, tabi socks ,ballet flats,leather travel flats (navy blue) what clearly informs their art, Luhrmann and company’s fanciful flourishes here remind me of the portraits by painter Kehinde Wiley, in which the authenticity of the hard streets becomes a Technicolor burst of regal splendor..

“My goal as an understudy was just to copy and try to fit in and not make any waves. Then, as time went on, I departed from it mentally, and much like Cunningham, I started trusting my own inner voice. I started to break out of my own shell and realize that I could bring much more of myself to this role,” Holmes says. Eventually, Cunningham, without Price’s help, must find a way to proselytize to villagers as well as stop several atrocities from occurring. Since he hasn’t read the Book of Mormon, he culls sermon material from sources he knows well, like “Lord of the Rings” and “Star Wars”–each after all, has its own code of morality. And Cunningham’s unorthodox preaching gets results.

             

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