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The splatter of color on the men’s shirts and women’s leotards, as in a bouquet of wildflowers, gave Seiwert’s cool, organic movements and architecture the heat of a well-designed garden, though the bathing tank-style leotards for the women (designed by Sandra Woodall) made them appear shorter than they are. The designer’s concentration of color on the dancers’ torsos, though, was inspired. And Brian Jones’ lighting for this work added a wonderful luminosity to the action.

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Developing a show across a three-dimensional space, such as buildings, requires a special kind of complicated computer modeling. The good news is — once the modeling is completed — the scan can be reused when the current show is replaced or rejuvenated. “It’s a very inexpensive way to create a big effect,” said Brent Young, president of Silver Lake’s Super 78, which specializes in creating immersive entertainment. “You don’t have to do a lot of sets, painting or lighting and, other than regular maintenance. All the updating can be done in the computer.”.

“Where do I go to file a missing person’s report?” Purdon asks, “Do I go to the tribal police? … In some places they’re underfunded and undertrained, The Bureau of Indian Affairs? The FBI? They might want to help, but a missing person case without more is not a crime, so they may not be able to open an investigation, … Do I go to one of the county sheriffs? … If that sounds like a horribly complicated stamp mini ballet lace shoes mini stamp mishmash of law enforcement jurisdictions that would tremendously complicate how I would try to find help, it’s because that’s what it is.”..

“I find this play astonishing for so many reasons,” Perloff says. “It was one of the first things I ever did when I ran Classic Stage Company in New York, and I worked on it with Harold Pinter in the room. What I learned from him was incalculable. So as I was thinking about what are the things I love the most that I wanted to do before I left ACT, and also what’s a play that would bring back so many of the real ACT all-stars, it was this play.”. One of those all-stars, Barricelli was not just a member of ACT’s now-defunct core acting company but inspired Perloff to form it in the first place when they first worked together on 1996’s “The Rose Tattoo.”.

             

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